Call On The Old Wise

ECM RECORDS 2023

The Pianist’s solo playing stands out from the majority of his colleagues. — Werner Boots, Rondo (DE) *****

Hershkovits hits so many high points that the anticipation for the next album is already bubbling up. — Konstantin N. Rega, Spectrum Culture

Captivating, refreshing, intoxicating, and very groovy. Bursting with colors and timbres, this album by Nitai Hershkovits is a pure delight. — Yvan Duvivier, Ouest France (FR)

No exaggeration to say this is a masterpiece (…) Consistently beautiful. — Musica Terra (JP)

A soothing solo piano recording that tugs at the heartstrings and journeys deeper the more you listen.— Marlbank

Like no other, the pianist moves between the poles of notated classical music and improvised jazz in a technically adept and imaginative manner (…) “Call On The Old Wise” becomes a touching discovery and, overall, an associative masterpiece. Jörg Konrad, Kult Komplott (DE)

I just can’t come up with any other pianist with this kind of improvisational skill and talent (…) deeply affects you with uttermost pleasure. — Matthias Kirsch (DE) *****

An album that has been on repeat since its arrival. — Nick Lea, Jazz Views (UK)

Exquisitely executed inventions, full of surprise and sensitivity. — Phillip Watson, The Irish Times (IE)

delightful pleasure. — Pierre Solotvia, MUSIQ3 (BE)

Like Jarrett, Nitai Hershkovits is an improvising sound painter.— Holger True, HAMBURGER ABENDBLATT

A masterful feel. — Mike Gates, UK Vibe

Exceptional skill and maximum taste. — Michael Toland, The Big Takeover (US)

A master of a delicately unusual melodic and harmonic profile. — Riccardo Talamazzi, Off Topic Magazine (IT)

Call on the old Wise succeeds at holding on to one's interest throughout. — Scott Yanow, Downbeat

Formidable…Absolutely beautiful and exciting. — Jean-Claude Vantroyen. Le Soir (BE)


Call on the Old Wise is Nitai Hershkovits’ first record for ECM, presenting his powerful pianistic ingenuity in a largely improvised solo setting. Nitai’s improvisations unfold like compositions being created in real-time: “It’s like I’m playing with several periods of music at once, but in a sort of augmented-reality-environment,” states Nitai. “To me the album is like a journey taking you through multiple varying experiences in the blink of an eye. Like jumping through frames holding different pictures or looking through windows to different worlds.”

The album is partially dedicated to Nitai’s former piano teacher Suzan Cohen, with whom he studied in Jerusalem and who according to Nitai is the mentor to whom the term ‘wise’ in the record’s title alludes. The pieces “The Old Wise”, “Of Mentorship” and “For Suzan” refer directly to her. But Nitai draws from wide-reaching influences, ranging from his work in jazz contexts and cutting-edge contemporary explorations to his background in classical music. This immaculate balance of idioms gives rise to an abundance of colors and timbres, explored by a pianist, who has successfully forged his very own voice as improviser and shape-designer.

 In his approach to improvisation, he notes, shapes and textures set the direction for the development of material: “I don’t want to be confined to any specific key or time signature, but rather leave the freedom to continually re-evaluate things in real-time and see them from a new perspective over and over again. That’s also why I tried to go into the session with as few preconceived ideas as possible.” In light of this spontaneous sense of creation, it is striking how completely formed many of the miniaturesque designs on the album unfurl. Nitai mentions inspirations as seemingly disparate as Chick Corea and Russian composers Rachmaninoff and Scriabin guiding him in the process.

 Recorded at the Auditorio Stelio Molo in Lugano in 2022, the studio's specific acoustic properties also play into the fabric of Nitai’s musical developments, as did his exchanges with producer Manfred Eicher. Nitai: “In the studio, very few words are spoken. With Manfred, it’s like there’s another musician in the room, reflecting, reacting and reshaping the music in the moment.” Call on the Old Wise is a testimony to Nitai Hershkovits’s unique inventiveness as well as an essential addition to ECM’s celebrated line of solo piano recordings.

MUSIC

As a Leader and a Co-Leader


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